SONNET IN FIDELITY

SONNET IN FIDELITY

From all to my love will I attempt
Before, and so zealous, and always, and such
That even facing the biggest enchantouch
Should my thinking be more enchampt.

I want to live it in every moment vain
And in its praise shall I spread my chant
'N laugh me laughain' cry my crain
To your regret or your contant

And so, when you later look
Who knows? Death, livings' deathwill
Who knows? Solitude, lovings' end

I could say meself about love (mylove):
Not to be immortal, lest it's flame
Infinnite though 'till it lasts.

original: V. Moraes
tradução: Ricardo M.

Atividade_6: [___½___] as Lacunas.

A sociedade vem sendo alterada ao longo dos séculos; seus hábitos, crenças e evidentemente seus [__1__] são o foco da [__2__]. Cada região com seu povo, sua cultura, possui uma forma de construir suas [__3__], e até o século XIX não havia outra forma de [__4__] que não aquelas trazidas pela cultura européia. No século XX, [__5__] pela primeira vez ganharam status por suas criações. Estes tentaram trazer outras culturas na [__4__] de seus trabalhos, iniciando um processo de ampliação da restrita visão ocidental. O estopim de tal processo se deu com o final dos anos 40, meados de 50, com o surgimento do [___6___], quando o consumo em massa de criações outrora exclusivas exigiu dos criadores a amplitude real de seus horizontes; desencadeando na caça por novas culturas, novas [___7___], enfim, novos ares. Culminou no "exotismo moderno", um híbrido [__8__] entre a sofisticação européia e a exuberância estrangeira. Já a busca de inspiração em outras épocas é o desejo de conhecer o futuro, de renovar o passado, perseguindo constantemente o ideal da juventude eterna, ou seja, a negação da morte.

DICA:

"É quase impossível se defender de suas foices atacantes. Seus movimentos são como os de um ninja."

Feminulity.

O! It hurts so well, why? Someone may ask me, someone could make (it, all, I mean) stop. Is there someone there? Do you copy? If you do, mayday. Make (the) pain go away, make me feeling anyway. I dont want to fill. I wish I could only choose. Could I choose? Tell me, tell me, te-te-te-te-te-tell me what can I do? How could I? Could take the pain away. 'could stop beliving, anyway. Wish I could be back to the imperfect, more-than-perfect, I mean. To be back when I used to be certain that it couldnt work and then I used to (only) smile. Id only see your facesmile. Id back to premier photos. Cliché-laughing.
[...]
Why do persons think marriage is obliging yourself to be totally strange to the persons with whom you sleep with, everynight, and wakes on his side up?
[...]
Alone.
Foreve
r.I wa
nt asi
p of c
offee.

tradução minha,
original: C.

E V E S B O N E

It gets into in.
Gets out out.
Cut the cord and give cord
Forget it and record.
Cut (the) wings and fly...
'Coz World is yours to live.

Take off your clothes and don't dare getting wet.
There's already another one in bath.
O There's another one in your place.
There's another one in your home.
There's another one.

Go away!
Go!
What keeps you here?
Wait (what?) what?

She's not getting out out bathroom.
She ain't leaving your bed.
She won't lose your pillows.
She will never leave (him) for you.
She's gonna have quite a lot of fun.

Don't you wanna know (the) funny (little) details?
They want you to look at them.
Look at them.
Look at their eyes.

She's almost naked.
Nightgown, strapshily naking her shoulders.
He unstrapped her with his mouth.
(O Lord, what a mouth!)
She's smiling.
Her eyes sparkle when she does.
Look.

Where are you?
You are (not) there, one-step-only until the door.
Get outta there, she's not wearing it anymore.
She's already on bed.
He's already inside (into in inning) her.
She won't let you gettoutta there. Never.

You are holding the knob.
You won't make it.
You won't.
You are done.
You (are) are (are) done.

You want to vanish.
Wanna throw yourself ladderdown.
You won't.
You are (too) fainthearted.

Champagne's already smeared her body.
And she wants more of it.
And he's got more of it.
And they give themselves even more of it.

You are backclose to the door.
You won't handle the handle.
You threaten (to knock at) the door.
(Your threats are LUDICROUS!)
You won't.

Don't open it.
Do not leap.
Do not knock at (her).

You are backclose to the steps.
Ladderdown.
Still looking at the door.
And crying (outloud) tearcherously.

Out out the building.
Crawling through the gutter.
One side.
(The other one).
Never willya get up.

You've got Adam's rib.
God's face.
Serpent's guile.
(But) You are (too) affraid (too) to fly.

Listen to it.
'T must be some kind of explosion.
You'll never get up.
You don't even care.

Some lovebirds have died.
You smiles.
You wants to cry.
You won't (ever does you?).
A little bit of (remorse)fulness.

Someone, probably a bird, pass you through.
(eve's drop, first and lest.)
You won't look at her,
(but) her wings are (still) rustling.

por: C.
tradução minha.