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More than what the collective one, the poverty. Its representation, its symbols, its imaginary one. The representation of it as spectacle is subject and parody of some workmanships since years 60 and 70. The laboring family of Bony, displayed as work of art in a museum, or the construction of a barraco in time has remembered - as well as the inclusion of a classic laboring family inside of it - guaranteed for the inserted chronometer in the image. At the same time, we have the film of foreigners in the slum quarter, the data base in the Internet of “real” personages of the community, the catalogues of cliches of the representation of the people in the cinema.
These are the questions of the cinema Latin American politician.
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